fictions of perfect architectures
styles, intensities and timbres to sex

caught up in this maelstrom bodies move
sexuality to startle a moment after coming

three groups of nude girls
the always to be mentioned empresses of porn

already dead in their springtime beauty
this principle of making radical distinctions

to reversed bodies, flower for a torso
the power to induce departure

the head substitution begins with a kiss
subtle glossolalia does not stop at deconstruction

an ensemble of places destined for pathways and crossings
a work which maintains the break, itself a double